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Pendim - Tatiana Koleva NovaLinia series
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# 1 - choral: soft, round sound (Andrew Thomas - Merlin Ist movement, Jacob ter Veldhuis - Confessions IIId movement) |
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# 2 - legato: medium soft, sonorous (J. S. Bach - cello suites, T. Hosokawa - Reminiscence) |
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# 3 - all round: medium - ideal practising mallet (etudes, tech exercises, Matthias Schmitt - Ghanaia) |
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# 4 - pizzicato: medium-hard, swift, active mallet that works very well for the large virtuoso pieces (Peter Klatzow - Dances of Earth and Fire, part II, Joseph Schwantaner - Velocities) |
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# 5 - staccato: hard, contemporary mallet for specific composers requirements in solo & chamber music (Yannis Kyriakides - Bee Cult, Jennifer Stasack - Six Elegies Dancing Ist movement) |
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PENDIM - Tatiana Koleva NovaLinia mallet series
- is designed to meet the requirements of the modern adventurous marimba performer
- comes in 5 different models, all with rubber core
- suits the sound of the modern marimba performing techniques: covering the entire spectrum from the typical round, resonant low marimba register to the sparkling, pizzicato passages on its top end without loosing it's warmth and character
- 4 of the 5 model mallets are shaped in a long "bullet" like form, that can produce various additional tone effects and allows a natural sound blending and articulations from the sonorous, singing legato, to marcato and staccato
- special attention is payed to the balance: that way the mallet responds immediately and naturally to the touch of the player and the heads do not weigh heavily forward, neither they are too light.
- the long birch handles are very gently polished, so that the contact with the wood is natural and firm - no additional wrapping tape is needed
- the series is designed in such a way that even when one combines the different models, the mallets still feel the same (balance and weight)
Specifics
"Tatiana Koleva NovaLinia" signature mallets series
are all models with rubber core, wrapped with 100% wool yarn, that is specially selected for this new series. Therefore, in
combination of loose and very tight wrapping, plus the specific bullet-like shape, each model has various sound possibilities within its own spectrum.
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